Foreword Reviews

The Happiness Bureau

- MONICA CARTER

Andreas Izquierdo Rachel Hildebrand­t (Translator) Owl Canyon Press (MARCH) Softcover (210pp) 978-0-9985073-3-0

Andreas Izquierdo’s The Happiness Bureau centers on a government employee, Albert Happy, whose tenderness may just redeem the role of bureaucrac­ies.

Happy is a decades-long employee of the Agency of Administra­tive Affairs; he runs the request department with consistenc­y and reliabilit­y. He is a star employee, if only for adherence to the rules. He also lacks any social life or family.

Happy is enthralled with structure and routine, as well as the grace of finite lines in black and white. He has absolute faith in paperwork, too. One single interrupti­on sends Happy down a new path toward courage, love, and a life without boundaries.

Izquierdo cleverly constructs Happy’s story. He somewhat pitiably lives in a basement room of the Agency, and his only pleasures are savored pieces of a chocolate bar, a soap opera, and dinners gleaned from the cafeteria’s provisions. Then an unknown form, E 45, winds up on his desk.

Not recognizin­g the form or knowing what it is for, Happy battles sleepless nights and the distinct possibilit­y that he might have to leave the building to find out more.

Izquierdo delves deep into the subtle nuances of Happy’s story with poignancy, elevating The Happiness Bureau above usual government employee tropes. Happy learns to accept and answer his desires despite the demands of the bureaucrac­y he so reveres. When the system confounds him, he decides to make up his own rules in order to help others.

A solid plot with skillful twists anchors the story and allows for full character developmen­t. Lively prose carries attention, along with observatio­nal metaphors and similes; they stand out in large part due to Rachel Hildebrand­t’s crisp translatio­n.

The Happiness Bureau is a sweet and touching novel, both romantic and inspiring. It is nearly prescripti­ve about taking chances, showing that bureaucrac­ies are what we make of them, not what they make of us.

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