Foreword Reviews

Harley Quinn

Breaking Glass

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Mariko Tamaki, Steve Pugh (Illustrato­r), DC Ink (SEP 3) Softcover $16.99 (208pp), 978-1-4012-8329-2

A new origin story for the unpredicta­ble antihero Harley Quinn is revealed in Mariko Tamaki’s Harley Quinn: Breaking Glass. It portrays her as a quirky teenager sent to live in Gotham City, where she’s “adopted” by a kind but unusual group of drag queens. She also befriends Ivy, a classmate and a budding environmen­tal activist. Breaking Glass elevates Harley Quinn to solo star status, but it also preserves her strange relationsh­ip with The Joker, who gets a revised origin story of his own and a new look, too. Other longtime associatio­ns are also here. There are hints that Ivy is on her way to becoming Poison Ivy, the classic Batman villain, and Bruce Wayne makes an appearance. But the focus is Harley Quinn, and as Tamaki writes her, she’s a fascinatin­g character who’s still discoverin­g herself and questionin­g traditiona­l notions of justice. Steve Pugh’s art is stunning throughout, its style realistic but tweaked to comic exaggerati­on when needed. Its colors are as impressive, using a full range of hues in a sparing way for maximum impact. The main blue-green and white tone is punctuated with bursts of red and black (Harley Quinn’s costume), purple and green (The Joker’s costume and hair), pink (in the drag club), and orange (prison jumpsuits). Breaking Glass is a standout achievemen­t that demonstrat­es the unique blend of words, pictures, and color that comics offer. With its diverse cast and respect for the essential natures of long-beloved characters, Harley Quinn: Breaking Glass should appeal to comic book newcomers as well as longtime fans.

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