Foreword Reviews

The Queen of Paris: A Novel of Coco Chanel

Pamela Binnings Ewen Blackstone Publishing (APR 7) Hardcover $27.99 (416pp), 978-1-982546-84-7

- MEG NOLA

With its pivotal focus on Coco Chanel’s reported World War II work as a Nazi spy, Pamela Binnings Ewen’s novel The Queen of Paris fictionali­zes the thoughts and motivation­s of the French design icon—a complex, controlled woman who rose from poverty to great fame and who guarded her creations and reputation with fierce intensity.

To create a softer impression of Chanel’s often myopic drive for success and self-determinat­ion, the book includes flashback passages. Abandoned by her father, Chanel is seen spending her childhood in a convent, her early years joyless and regimented. Later, she becomes the mistress of two wealthy men, but never attains the social standing to marry either; she only finds financial independen­ce through her unique fashion designs. She is forced to pretend that her son, Andre, is her nephew; she uses morphine to escape reality in acts of deliberate indifferen­ce.

As the Third Reich invades Paris, Chanel has to deal with the chaos of wartime occupation and the threatened takeover of her No. 5 perfume by a business partner. Her finances are dwindling; her renowned fashion house is temporaril­y closed. She learns that Andre, who is serving in the French army, is a German prisoner of war.

With the shifting intrigue of covert operations and glimpses of European society—a fascinatin­g backdrop of luxury, fear, duplicity, violence, and harsh moral dilemmas—chanel’s collaborat­ion with the Germans is written as reprehensi­ble and self-serving. She is positioned as someone who perhaps felt like Paris itself: besieged, defiled, and determined to survive by whatever measures necessary.

Empathetic yet unsparing, The Queen of Paris is an engrossing historical novel that reveals another room in the House of Chanel: beyond the timeless elegance, simplicity, and jasmine-scented perfume was a desperate woman, trapped by a maze of circumstan­ces and her own troubled mind.

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