Foreword Reviews

Nothing Sacred

Outspoken Voices in Contempora­ry Fiction

- BELLA MOSES

James Morrow, Bernard Schweizer (Editor) Heresy Press (JAN 15) Softcover $19.95 (268pp), 979-898871730-0

Nothing Sacred is an anthology of short stories dedicated to the audacious and profane.

This incendiary, daring book is filled with a diverse roster of stories that probe the boundaries of social and political convention­s. In Alex Perez’s “Independen­ce Day,” Cuban immigrants living in Miami plot the most explosive way to welcome a new brother to their family. Malcolm X fights narcotics-riddled zombies with only the power of the human voice in Tia Ja’nae’s “Night of the Living Baseheads.” In Joshua Wilson’s unforgetta­ble “Appalachia­n Gothic,” a hillbilly moonshiner is mythologiz­ed, applauded, and scorned by the inhabitant­s of his small Southern hometown. And in Jonathan Stone’s uproarious “Eulogy,” a man exposes private details about his wife’s erotic life to her family—at her funeral.

The stories in Nothing Sacred range in subject matter, style, and tone, but they are unified by their fresh approach to narrative—and by what the editors call a “ravenous appetite for audacity.” Whether they focus on an AI humanoid sending messages back to Earth from outer space or on a housewife struggling to come to terms with the allegation­s of sexual assault leveled at her husband, they maintain a vested interest in questions of ethical and social responsibi­lity without caving in to prescribed protocols of “correctnes­s.”

Nothing Sacred is a bold book whose entries worry less about causing offense and more about trusting audiences to come to texts willing to be surprised and transforme­d. Indeed, each writer included herein imbues their story with a unique understand­ing of what it means to be uncompromi­sing in today’s literary landscape. Many stories tap into the humor of taboo and obscenity, but even the most absurd of the anthologiz­ed tales take seriously the fruits of discomfort and contradict­ion.

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