Future Music

Classic Album: Mousse T. Gourmet De Funk

Peppermint Jam, 2002

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After storming internatio­nal singles charts with the back-to-back pop house bangers Horny and Sexbomb, producer Mousse T. – aka Mustafa Gundogdu – had a choice to make. Follow up that global success immediatel­y with more of the same. Or wait three years to release an album of downtempo funk, big band, reggae, and trip-hop – with an undercover policeman on bass, porno samples, and a Fine Young Cannibals cover version. Needless to say his distribute­rs had hoped for the former, and he delivered the latter.

“After the success of Horny they wanted 13 more tracks just like that,” says Mousse. “I tried! But I never played them to anyone because I was really feeling ashamed. I said, ‘I can’t just keep copying myself, and just doing this... formula’.”

Instead, he rebuilt Horny and Sexbomb as ‘swing’ and ‘jazz’ versions, to form the start of a wild and wonderful artist album that represente­d him, his inspiratio­ns, and his record collection.

“I wanted people to know there was a little world behind Mousse T,” he says. “I wanted to move away from the whole house music and dancefloor thing, and just have a playground, basically. Which, for me, was the funk and soul music I loved.”

Ignoring all his commercial club house instincts, he broke out his vintage keyboards, assembled a crew of musicians and vocalists, and looped up any groovy samples he could find in his crates, or tucked away on 2” tapes from previous projects, and set to work.

“I had to go with my heart on this one,” says Mousse. “People were like, ‘Props on the success and everything with those singles, man. But in terms of coolness, this is gonna be the death of you!’.

“Those tracks were so pop and so Tom Jones, and all that, you know? So, instead of doing the same again, I decided to do the opposite and dig out samples, pull bits from old multi-tracks, get musicians and singers in, and make something new.

“It opened my view on things. It was like, ‘Wow! Whatever you feel… just go for it’. So, with this album, I did whatever I felt, and not what was expected.”

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