Future Music

Mick Gordon’s Doom soundtrack

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It’s always good to take inspiratio­n from other artists and composers, and among those currently processing electronic sounds with amp simulation (among myriad other effects) is composer Mick Gordon, the man tasked with re-composing the soundtrack for the reboot of the Doom franchise. Gordon took a comprehens­ive approach to reimaginin­g the original game’s soundtrack (a MIDI-only score, from the days when computer game soundtrack­s were squeezed onto just a few bytes of data) as well as composing new tracks. The two films entitled Doom: Behind The Music ( bit.ly/MGDoom) offer a great insight into the approach Mick took to producing and mixing this score and, as you’ll hear, on both the guitar and synth parts he wrote, re-amping plays a major role. Even if the soundtrack isn’t to your taste, there are some extraordin­ary sounds here to set your imaginatio­n alight.

 ??  ?? Add amp simulation to synth parts and sound design and carefully controlled chaos can ensue!
Add amp simulation to synth parts and sound design and carefully controlled chaos can ensue!

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