Stereo bass secrets
It’s often said that bass parts should be left in mono, but this isn’t a hard and fast rule. Let’s try giving our low end some stereo enhancement!
Common production advice says to keep low-frequency elements in mono. In theory, this still rings true – low frequencies are less directional compared to high frequencies, so panning or widening sub-200Hz elements will only serve to weaken low-end power in a mix. Yet, in spite of this, reverb-drenched kicks and ultra-wide mid-range basses have been a fashionable feature of modern electronic music for a few years now. With that in mind, here are three things to consider when widening bottom-heavy sounds in a mix. The secret is to pocket the frequency content of your width just above the sub bass area, which gives the impression of wide ‘bass’, but keeps actual sub frequencies centred.