Future Music

Instant bass enhancemen­t and focus with a resonant filter

Adding resonance to a high-pass filter is a time-honoured technique that many producers swear by. Here’s how to do it in your DAW easily

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Little Labs’ Voice of God is an iconic bass-boosting hardware device (also available as a UAD-2 plugin) that’s found fame in countless studios thanks to its ability to impart chest-shuddering low end into even the wimpiest signals. As magic as it might seem, the Voice of God is essentiall­y just a resonant high-pass filter under the hood, and can be replicated with any equivalent filter effect. You can use any filter or EQ as a bass-boosting device. First, apply a high-pass (or ‘low-cut’) filter over, say, a kick drum, then carefully set its cutoff value around the kick’s fundamenta­l frequency – ie, its lowest, most powerful harmonic. Once you’ve tuned the cutoff, slowly increase the filter’s resonance amount to boost and enhance the filter’s peak amount around the kick’s fundamenta­l. This carves away away sub frequencie­s below this point, and enhances the all-important fundamenta­l. This kind of filtering can boost your signal’s peak level and cause clipping, so use a filter with an inbuilt limiting stage (or a separate limiter plugin) to reign in level increase. Better still, as per Andrew’s advice, use a nonlinear filter type with overdrive to add beef and weight.

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