Golf Australia

HOW TO… DESIGN A GOLF HOLE

- WORDS PAUL MOGFORD

The design of a golf hole is a simple process, but in many ways quite involved. In its simplest form, golf architectu­re is an intuitive process. It is about having an understand­ing, an a nity, for the natural environmen­t. It is about being able to extract the essence of the land to best preserve, celebrate and capitalise upon its unique features. It is the distillati­on of the many attributes the site o ers, but equally, it is about being able to turn the constraint­s of a site into positives. And it is often how a designer responds to these constraint­s where great design can come from.

This premise is no di erent to any other field of design or art form. However, golf architectu­re also follows a scientific process. It combines the input of a number of sciences and specialiti­es including agronomy (soils and turfgrass management), drainage engineerin­g, irrigation design, flood modelling, flora and fauna and cultural heritage, to bring about a successful outcome.

Here we give a brief outline of some of the basic considerat­ions in the design of a golf hole or golf course.

THE BRIEF

Who is the intended user? In our view, and for the most part, golf should be designed with all standards of golfers in mind. It should be fun, stimulatin­g and challengin­g equally so for men and women of all ages and handicaps.

Too often, courses are overly long and too penal in their design. Occasional­ly we are asked to cater for elite amateur and championsh­ip play, which requires a delicate balance to not overly impact regular play.

Our work for The Metropolit­an Golf Club on their 10th hole is one example, where an overall objective was to add some length and strategic interest to the hole. In order to achieve extra length for tournament play, we removed several trees in the area of the tee, with a new tee to the rear adding some 20 metres. In addition, the tees were shifted to the right to straighten out the overly doglegged nature of the hole. To compliment this objective, a number of trees were also removed along the left side of the fairway, which allowed for the placement of a pivotal corner fairway bunker. From the tips this bunker is 265 metres to the front and around a 280-metre carry. Winds from either the north or south complicate the tee shot and with driver in the hand the dam is well in range for a right hander’s block. Importantl­y, from the shorter hitter’s perspectiv­e, the realignmen­t of the tees and tree removal along the left side allows much less risk of being blocked for their second shots – previously an all too common occurrence.

ARCHITECTU­RAL STYLE

Designing a new course on a ‘greenfield’ site is quite di‹erent to undertakin­g modificati­ons to an existing course.

Greenfield sites allow the architect the ultimate freedom – albeit within the constraint­s and opportunit­ies of the brief. For example, a client’s brief may be to provide a course which is focused in producing great golf holes with less regard for the convention­s of par and length. These are the enlightene­d clients!

Contrast this with clients who insist on a course of ‘championsh­ip’ calibre. Of course this is fine, if it is the client’s desire to produce a purpose-built course to cater for championsh­ip golf – however in reality there are few realistic opportunit­ies in this market.

Existing courses, in our view, provide the most challengin­g and rewarding form of golf course architectu­re. This segment of the market comes in many forms.

Firstly, the ‘restoratio­n’ of classic courses, which have had an insensitiv­e remodeling. Secondly, ‘course enhancemen­ts’ where much of the course is intact architectu­rally and only requires a smaller number of holes to be redesigned to unite the course.

Lastly, complete ‘remodeling’ of a course where the design was not well conceived and or constructe­d. The first and second categories

are where significan­t challenge lies as they require the greatest sensitivit­y and skill to bring about a successful blending of the retained desirable holes, or features, and the new. A true measure of this success is where the ‘new’ is indistingu­ishable from the ‘old’.

DESIGN STRATEGY

Most designers will conceive a golf hole from the green and work backwards to the tee. Based on the size and shape the green takes, this will influence the placement of hazards and the length of a hole.

For example, if the green site suggests a small green with a fall-away nature – it will not be conducive to a long par-4 hole, but rather a short 4 or reachable par-5.

When designing a hole within an existing layout it can be important to evaluate how the proposed hole may ‘fit’ – whether it complement­s the balance of the par and length of holes. For example, while somewhat of a convention­al approach, a designer would generally avoid having two consecutiv­e par-3s and certainly not of similar length and or direction.

SITE ASSESSMENT

The topography, or ‘lay of the land’, is of primary importance. However flat, undulating or sloping the ground is, will influence the location of tees, the fairway, hazards and green.

The topography and soil type will dictate the drainage characteri­stics of the hole. For example, if the soil is not free draining the design must allow for this to ensure consistent playing conditions (turf quality). If the collection point for drives is small the area may su‰er from too many divots – a‰ecting play. The amount of existing slope may necessitat­e interventi­on (earthworks) to ensure balls come to rest on a fairway and does not consistent­ly roll into the rough. A minimalist approach is best to conserve the natural lay of the land and minimise cost.

The prevailing wind conditions are an important considerat­ion and it is important to note that there is usually a di‰erent prevailing wind direction in summer and winter. The strength and duration of these winds will a‰ect the placement of hazards and the design of the green.

An example of using the wind to our advantage is our new 19th hole being built at Sorrento Golf Club. Measuring a short 100 metres it will play both short – with the north-westerly, and long, into the blustery south-westerly. In addition, adding to the challenge the golfers face, we have designed a green that slopes away from the front of the green, which is also set on the diagonal.

The natural soil type of a site is of great importance and here sand is king! It is free draining and requires little in the way of additional subsurface drainage and or surface drainage collection points. Sand provides significan­t freedom to shape the surface contours, however, often the best approach is to protect the natural characteri­stics of the existing ground as this can help distinguis­h one course from another.

The ability to read and understand contours on a topographi­cal map is an important skill for the budding golf course architect. Being able at a glance to distinguis­h a site’s ridges from its valleys, its peaks from its depression­s, is vital and understand­ing that the closer together contour lines are together, the steeper the slope. View

IT MAY NOT BE OBVIOUS, BUT SUCCESSFUL GOLF COURSE DESIGN REQUIRES A TEAM OF TALENTED PEOPLE ... IT IS A HUGELY COLLABORAT­IVE AFFAIR.

lines from projected tees to landing areas and from landing areas to greens are crucial as no one will enjoy a course filled with blind tee shots and blind approaches.

SAFETY

The routing of holes must consider the safety of courses boundaries as well as the internal safety of other golfers and users of the property.

External boundaries: Architects are careful to lay out holes so as to not endanger interfacin­g land-uses such as adjoining roads, housing and other public open space. Where possible, holes are laid out with the slice side (for right-handers) internal. In addition, sucient setback must be provided between the desired centre-line of play and the boundary to allow for errant play. This buer distance varies between architects however 60-70 metres from a typical drive landing length is common, however, this can be less for short par-3s. Environmen­tal factors such as elevation change from the teeing ground to the landing area and prevailing winds also need to be considered and factored in to buer distances. Vegetation, used as a buer, should not be relied upon as vegetation is not long lasting.

Internally the relationsh­ip between tees, greens and fairways must also be considered to provide appropriat­e safety of golfers and maintenanc­e sta. For example, the centre-line of fairways of two parallel holes should be at least 60 metres apart, however, there are many factors which aect this basic guideline.

Landscape

Harmony with the surroundin­g landscape is the objective. This principall­y takes the form of merging with the borrowed landscape of a site. This is apparent in the scale and form of the shapes of the land and in general terms the course shaping and features should also reflect this. For example, a bold and undulating dune site will support a similarly bold bunker style like what you will find at Barnbougle Dunes. The opposite may be the case for a flatter site where a more subdued bunker style can be most appropriat­e.

The natural vegetation of the surroundin­g area is of significan­ce. Imposing an exotic vegetation type is less sustainabl­e and should be avoided. Using species endemic to the site, or region, protects the genetic gene pool of plants and supports the diversity of the area as well as provides appropriat­e habitat for native fauna. It is also less expensive to establish and maintain over the longer term.

In summary, to conceive and realise one’s design for a golf hole is a rewarding experience. It can be fraught and the anticipati­on of how it is received can be rather interestin­g. It may not be obvious, but successful golf course design requires a team of talented people all working towards a common outcome. From the shaper’s skill to interpret the architect’s plans and the constructi­on crew’s dedication to install the drainage, irrigation and undertake the fine-shaping, it is a hugely collaborat­ive aair. It is an organic process, which in many ways is an art form.

 ??  ??
 ??  ?? Aerial view of the renovated 10th hole at Metropolit­an and the hole masterplan (below).
Aerial view of the renovated 10th hole at Metropolit­an and the hole masterplan (below).
 ??  ??
 ??  ??
 ??  ?? Using a contour map in a design drawing of Sorrento’s 19th hole (above); the redesigned 11th and 14th at Barwon Heads.
Using a contour map in a design drawing of Sorrento’s 19th hole (above); the redesigned 11th and 14th at Barwon Heads.
 ??  ?? A bold and undulating dune site will support a similarly bold bunker style like what you will find at Barnbougle Dunes. PAUL MOGFORD is one half of the Golf Strategies design partnershi­p with Neil Crafter. Golf Strategies has remodelled or designed dozens of courses throughout Australia and overseas and is the consulting architectu­re firm on the restoratio­n project of Australia’s oldest course, Ratho Farm in Tasmania.
A bold and undulating dune site will support a similarly bold bunker style like what you will find at Barnbougle Dunes. PAUL MOGFORD is one half of the Golf Strategies design partnershi­p with Neil Crafter. Golf Strategies has remodelled or designed dozens of courses throughout Australia and overseas and is the consulting architectu­re firm on the restoratio­n project of Australia’s oldest course, Ratho Farm in Tasmania.

Newspapers in English

Newspapers from Australia