Good

Plant Fibre Fashion

As the war on synthetic fibres mounts and organic cotton production faces off against water resources/consumptio­n, innovation in textiles brings good news for the fashion industry.

- Words Carolyn Enting

Meet the innovators leading the industry

You know a movement has hit mainstream when fast fashion chain H&M heads up a Global Change Award with the aim “to protect the planet”, and “thoughtful fashion” is the cover story of Australian Vogue. That’s a good thing. It’s heartening that sustainabl­e fashion is finally gaining momentum.

‘Cause & effect’ is the title of actor Emma Watson’s Australian Vogue guest editor appearance, shot by Peter Lindbergh, in which she rightly states, “It is time to re-examine the fashion industry and the urgency for a healthier, more responsibl­e system”. Watson also states, “It’s not enough for me anymore that it’s a beautiful piece – I want to know who made it and where it came from”. We would also add to that “and what it’s made of”. In March 2018 The Global Change Award saw a �1 million grant from the H&M Foundation split between five contenders to be used for product developmen­t: Crop-APorter – making sustainabl­e bio-textiles by using leftovers from food crop harvests; Algae Apparel – turning algae into bio-fibre and eco-friendly dye that is also good for the skin; Smart Stitch – a dissolvabl­e thread that makes repairing and recycling a breeze; The Regenerato­r – recirculat­ing fashion into new textile fibre by separating cotton and polyester blends; and Fungi Fashion – custom-made clothes made from decomposab­le mushroom roots.

The public voting system provided the opportunit­y to influence the fashion industry and contribute to a more sustainabl­e future. Its purpose, to spur early-stage innovation­s that can accelerate the shift from a linear to a circular fashion industry, with the aim of protecting the planet and our living conditions (see results globalchan­geaward.com). At the Awards’ ceremony in Stockholm actress and sustainabi­lity influencer Chiling Lin wore a custom-made H&M evening gown made of orange fibre. The textile – 50 per cent silk, 50 per cent orange fibre – is the innovation of a previous Global Change Awards winner and the first fabric to be made from citrus juice byproduct.

This season, Danish brand Noa Noa produced the first of what will be a twice-yearly capsule collection ‘On This Note by Noa Noa’ using sustainabl­e fibres that have been in developmen­t for several years. The new techniques have made it possible to create fabrics as soft as cashmere without harming the environmen­t – corn fibres spun into billowing silky fabrics; banana leaves woven into strong, lightweigh­t fabrics; and super soft soya bean protein fibre. The latter is also believed to have beneficial properties for the wearer – this is because soya bean fibre has a natural bacteria resistance, protects against the cold, and contains 16 amino acids in the fibres. Of course, it’s also biodegrada­ble and Noa Noa ensure no pesticides are used in the growing of the fibres.

The corn (ingeo) fibre makes use of this widely grown agricultur­al product. The process includes fermentati­on to remove

the starch. This creates a texture like a paste that is cut, carded and combed into yarn, which can be woven into fabric.

There has been a long indigenous tradition of spinning banana fibres extracted by hand but now innovation has made it possible to give these ancient techniques modern production facilities, and a wider use. The banana fibres are collected from the plant and combed into a fibre and, after drying at 200°C for three hours, can be woven into a fabric in regular looms.

Examining the wonderful weave of Noa Noa’s banana fibre garments, one marvels at its tropical origin and the same can be said for B-Corporatio­n certified ethical Wellington accessory brand Duffle & Co’s new range of pouches and laptop sleeves made from pineapple leaves, offering a vegan alternativ­e to plastic. This sustainabl­e and durable material is a byproduct of agricultur­e, which not only makes use of what was a waste product, but also provides a secondary income stream for farmers who otherwise rely on seasonal work. “The pineapple industry produces around 13 million tonnes of waste product every year so we are doing our bit to mitigate this,” says Duffle & Co creative director Freya Lewis.

“The raw material does not require any additional resources to grow and is free from pesticides and chemicals, meaning it does not harm people or the planet in the production process. A huge driver for our brand is working to support local communitie­s around the world, who benefit from such a material. As we grow, we want to introduce more sustainabl­e materials; we have used bamboo, hemp, organic cotton and recycled materials, and are now wanting to explore more sustainabl­e leather alternativ­es.”

And, when you buy a Duffle & Co product, the company commits to planting a tree by supporting the Million Metres project to clean up our waterways, or feeding those in need through Kiwi Harvest (shop duffleandc­o.com).

Kiwi footwear pioneer Tim Brown, co-founder of Allbirds, has also just stepped up his company’s game with the introducti­on of a

‘Tree’ collection of runners (sneaker) and skippers (a twist on the boat shoe) made from ethically sourced eucalyptus fibres, which use only five per cent of the water and one-third of the land when compared to traditiona­l footwear. Like Good magazine, which prints on Forest Stewardshi­p Council (FSC) certified paper, Allbirds ‘Tree’ collection also complies with FSC standards. “It’s an opportunit­y for us to unfurl our vision for what the brand is about,” says Brown, who’s made headlines around the world for the brand’s merino runners and loungers. “From the beginning Allbirds wasn’t really about wool. I didn’t grow up on a sheep farm. And it wasn’t about shoes – it was about sustainabl­e material innovation.” Allbirds eucalyptus fibre is made from wood pulp sustainabl­y harvested in South Africa. Customer feedback about the merino Allbirds showed wool wasn’t as suitable in warm weather so they set out to solve this problem. “Eucalyptus fibre is incredible for its cooling qualities and incredible softness,” says Brown. It’s taken two years of developmen­t. First, they found a way to turn it into a yarn. When they realised that wasn’t enough, they had to introduce a whole new manufactur­ing process. Allbirds also found a way to use a bio-based material in the eyelet, which are fused on to the uppers. The shoelaces are also made out of recycled plastic bottles.

“We are at the cusp of a revolution in sustainabl­e manufactur­ing,” says Brown. “It’s about the best products. We believe the footwear and fashion industry, broadly, is not really showing leadership in this regard, so there’s an opportunit­y for brands to come in and make this a part of their DNA. Make this non-negotiable in the way they operate and they can actually show leadership.”

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