Example8 TWO -PART HARMONY – MORE FREEDOM IN SECOND PART

Interestingly, establishing a two-par t harmony for a melodic line underpinned by three-note chords presents more options in terms of choice of motion. In this example, the second par t (Guitar 2) is able to dar t around between the various chord tones not covered by the original melody (Guitar 1), without the fear of crossing over or duplicating any notes from a third part second harmony.