Example2 KEITH RICHARDS: CHUCK BERRY styl e DOUBLE-STO PS

In the third bar, you’ll need to move from a minor 3rd shape (beats 1 and 2) to a major 3rd shape (beats 3 and 4). Use your first finger on the first string throughout; changing from your third finger to your second finger on the second string, the remaining double-stops are played by barring with your first or third fingers. Sliding into double-stops like these can give a lovely 'sleaz y' feel to things – of which Keef would heartily approve.