Guitar Techniques - - Gary Moore Cold Day In Hell -

[Bars 74- 89] The fi­nal cho­rus cir­cles around the same four-bar turn­around to re­it­er­ate the main vo­cal line and al­low for some more ques­tion-and- an­swer solo ideas. The only real form dif­fer­ence here is the stabbed G#5 and B5 to­wards the end of the sec­tion (Bar 87).

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