EX­AM­PlE1 LonG II-V-I LInes In C and Bb

Guitar Techniques - - Lesson: Jazz -

Stern comes down D Do­rian over the Dm7, then moves up a G7 ar­peg­gio over the first two beats of the G7, switch­ing to G Al­tered (or G Half-Whole Di­min­ishe d) and re­solv­ing to the 3rd (E) of the Cmaj7 with a dou­ble-stop idea, then pro­gresses straight down the C Ma­jor scale. He an­tic­i­pates the Cm7 mov­ing up the C Mi­nor scale, then an­tic­i­pates the F7, mov­ing up an F7 ar­peg­gio on beats 3 and 4 over the Cm7, fol­lowed by an F Al­tered (or F Half-Whole Di­min­ished) idea over the F7 and re­solv­ing to the 3rd (D) of the Bb­maj7 with a sim­i­lar dou­ble-stop idea, from which he con­tin­ues down into yet another dou­ble-stop im­ply­ing F ma­jor, then re­peats the same idea an oc­tave lower.

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