EXAMPlE1 LonG II-V-I LInes In C and Bb

Stern comes down D Dorian over the Dm7, then moves up a G7 arpeggio over the first two beats of the G7, switching to G Altered (or G Half-Whole Diminishe d) and resolving to the 3rd (E) of the Cmaj7 with a double-stop idea, then progresses straight down the C Major scale. He anticipates the Cm7 moving up the C Minor scale, then anticipates the F7, moving up an F7 arpeggio on beats 3 and 4 over the Cm7, followed by an F Altered (or F Half-Whole Diminished) idea over the F7 and resolving to the 3rd (D) of the Bbmaj7 with a similar double-stop idea, from which he continues down into yet another double-stop implying F major, then repeats the same idea an octave lower.