EXAMPlE2 II-V-I Into turnaround In Bb

For this II-V-I into a turnaround idea Stern suggests Cm and G over the Cm7 then nails the tonality by comes back up C Minor. Over the F7 he moves up with an F# chromatic passing note into F Mixolydian then gets prett y outside with a wonderful line over the turnaround, suggesting Ebm7 and Ab7 over the Bb and G7, F#m7 and B7 over the Cm7 and F7 before resolving to the 5th (F) on the Bbmaj7.