Guitar Techniques - - PLAY: ROCK -

[Bars 89 -94] Brian keeps to the 7th po­si­tion us­ing the B mi­nor pen­ta­tonic scale with an added ma­jor 3rd (D#) to con­firm he’s play­ing over a Mixoly­dian chord pro­gres­sion (B5-E5-A5). [Bars 95-98] Here’s a re­turn to syn­co­pated chords that re­solve to D then to F#. Watch your tim­ing here: you may like to use al­ter­nate pick­ing with ghost strums for tim­ing ac­cu­racy or only down strokes for tonal con­sis­tency.

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