ExAMPLE CARL VeRheYen MASteRCLASS ...CONTINUED
[Bars 41-43] Here Carl demonstrates how a simple motif can be given varying inflections and note changes to fit the underlying harmony and maintain musical cogency and interest.
[Bars 41-43] Here Carl demonstrates how a simple motif can be given varying inflections and note changes to fit the underlying harmony and maintain musical cogency and interest.