ExAmplE1 II-V lIne In D mI­nor

Guitar Techniques - - LEARNING ZONE -

Ford be­gins in D mi­nor pen­ta­tonic, at the end of the bar slid­ing up to B (3rd) to an­tic­i­pate the G9. He then moves into a chro­matic idea ped­alling around the B note, then sug­gests G ly­dian b7, com­ing down G ma­jor pen­ta­tonic

Ex 1 - II-V line in Dmi­nor Ex 1 - II-V line in Dmi­nor Ex 1 - II-V line in Dmi­nor Ex 1 - II-V line in Dmi­nor

Dm7

Dm7

Dm7

D 7 9/F

D7 9/F

D7 9/F then G ma­jor scale. Over the Dm7 he moves up an Fmaj9 (or Dm11) arpeg­gio, then comes down an F triad, and over the fi­nal G9 de­scends, mov­ing be­tween G7 and G mixoly­dian to end on the b3 (F) of the closing Dm7.

G9

G9

G9

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