Guitar Techniques

ExAmplE5 G mInor 7 Vamp Into II-V-I In b

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Over the Gm7 Ford moves down a mixture of G minor pentatonic with 9th (A) added and G Blues scale, coming up a Bbmaj7 arpeggio at the end of the second bar to land on the root of C7. He then descends chromatica­lly to the b7 (Bb), moving up a D major triad and down C mixolydian to land on the 3rd (A) of F7. He moves up F7, landing on the b9 (Gb), then comes down F half-whole (F Gb Ab A B C D Eb), resolving to 3rd (D) and root on the Bbmaj7.

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