ExAGmPlE5 MIxIn13G ARPEG13GIO10tyPEs

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13 10 ThisAEfixna5l exercise uses a variety of arpegg1i0o sh1a1pes 10in a progr1e1ssion15that 15 (C-D-E-F-GÏ

11 harmExo©n 5is es the shÏ arÏ AmC major scale -A-B), descendingG fro1m1 the165th

sÏ fiÏ apeÏ fret.Ï oÏ aroun©dchord in th¦ the -key Am (Am). The rst ix s e all in Gthe ÏsamerdeÏr fretboard area,

pÏ Ex 5 e 12th fret, with the final two at the 10th In to lay this Ex 5 Am G

- Am G

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18 15 13 17 fluidly, you need to get your brain ahead of your fingers by 18 visualising15 the chorFd or arpeggio shapes before your fiEnmgers start moving; for this reason, I suggest you approach this very slowly Emat first. A good trick is to get your fingers into the correct shape ‘in the air’ between one shape and the next. F Em F Em

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