4©s L¢o¢ dispLFamC7edÏ ExAMPLE o Guitar m1a0jor
selectÏ I’veÏ There’s an argument for no key signature with this example as we’re actually
&inorbhobwev4er, throughÎ moving around rather rapid∑ly a ion of tonalities. plumped for F m6 as we begin with a legato fingerstyle figure in this
honuÏ thbeÏ withnoÏ b#eaÎutifunl, key before going ‘arou5nd ses’ ctave displaced major triads containing the flattened 5th (R-b5-3/10). This is all r7ather and most likely a completely spontaneous Luc creation.