ExAMPLE6 improvised break in 5

SylvAian’s playing is rhythmicall6y v5ery3fr5ee but3equ6alFly6c/ontrolle2d

and assured, so here we see how he might negotiate a break in 5/4 that begins to5nality outeÏ

rä in a F major but winds its way to an A7#9 chord on to Eb9. As

EyouÏ caÏ n see, Luc’s playing is super-chromatic so it’s often Ïbetter to view the Ïthe loÏ solitaÏ Ïfor ere.Ï big picture and look for where a particular line or idea might resolve, rather than be on okout a ry scÏ alar or arpeggio-based hÏ