ExAMPLE9 notes, doubLe-stops and Chords
andDexploits a of Ebbmaanjd7
exampl©e»sh•ifts harmonicallyjbeÏtween OurAfi7nal E major tonalities
-stÏ anÏ singleÏ co4mbin∞ation notJes,
douÏ ops d smaÏ ll c hordÏ fragments. We see further evidence of Pentatonic action here, utilised in a
EJEEsuperimpoÏdifferentEwmaayjtnhaÏsendÏ (G#-Bj-Cn#Ï slightly n before with G# minor Pentatonic -D#-F#)
against E to imply an Emaj7 by highlighting 3, 5, 6, 7 and 9th intervals when this G# idea is considered from an E root.