Ex­AM­PLE9 notes, dou­bLe-stops and Chords

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andD­ex­ploits a of Ebb­maanjd7

ex­ampl©e»sh•ifts har­mon­i­cal­lyjbeÏtween OurA­fi7­nal E ma­jor tonal­i­ties

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douÏ ops d smaÏ ll c hordÏ frag­ments. We see fur­ther ev­i­dence of Pen­ta­tonic ac­tion here, utilised in a

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against E to im­ply an Emaj7 by high­light­ing 3, 5, 6, 7 and 9th in­ter­vals when this G# idea is con­sid­ered from an E root.

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