G'thjrough workbinoe EXEAMPLE4 the shapes

anoed rolloefeebl,oethis eoexamoeple poelays aoerooeu8ndoebetwoeeenboemajor8anoed

up~a~ll in11Eb minor sh1a1pes 1 and 2 (note all those ‘blues’ bends on Gb), before TaGking on a 50s rock m1i2nor

stabrtoeto thoeen secEo&nd nabture youoe’ll tioemeoe– working up to shape 5 in ab, then shape 1 in G, refl8ecting the ch8ord changes. after a while, these positions cropping it’s

thoee to include then in your own solos.

B