EXAMPLE8 full solo

w4ith aÓlonger solo,⋲feat¿urinoeg T3heoeb6acking

mooere moeusicoeal, (oehint WEe finish a eoexpressive approach. chords are intentionally tricky – but not as tricky as Ex 7. See how many Pentatonic shapes you can spot in use, and look out for relative majo3rs an6d minors - bar 14). T6o gi3ve a little more colour, there are plenty of quarter-tone

ow'n? ‘bDlues’ bends and swung phrases,3in co5ntrast with th3e ‘st5raight 8s’ feel of the backing track. Why not take some of th5ese i3deas and cre5ate a3solo5 of y3our

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