ExEamplE8 stat5iC1r0epetitio8us lines in b minor

f©a»stm¡¢oºving

min˚or afGter all th#ose chords and harmony shif8ting6all o5ver the pla5ce, here£’snh¢oeo8w M6ille5r might thoeat’s approach a solitary B ch#oroed.pre6viou9sncoeommentsMelody is always at the

weoeseneoehere. agjainoe, impOEortantOEhere. forefront of Tim’s mind when he plays – and most good melodie6s re8ly heavily upon repetition, s8ooe oewhaoet

regarding tim∑ing control, delivery, tone and are just as

B