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Our final flurry of semiquavers sees Tim in full-blown string-crossing arpeggio

m©»igh¡t∞wºish moEde4. You to follow his lead and consider using a combinat7ion o8f pick and fingers (hybrid picking) or you could go at it with a pick plus hammerons and pull-offs. either w∑ay is a plausible⋲and legitimate approach to take.

ARemember that the audience doesn’t care one little bit about such details. all they care about is the music, so whichever method you choose make sure the notes flow, the rhythm is not forced or lumpy and the dynamics are even and smooth throughout.

DE