11)

Using G11 voicings in a rock setting with a bright clear tone, in S1 (shape 1) the 3rd and 11th are close together (like a 3rd and 4th, but not suspended, as the 3rd is present). This ‘conflict’ gives the chord a vibey dissonance that is also good on acoustic. You might find vS4 (shape 4) less easy to use in regular situations.