Example2 Dom­i­nant and Di­min­ished over 7#9

Guitar Techniques - - LESSON | JAZZ -

Here we echo the same tran­si­tional ideas seen in Ex­am­ple 1, al­though in this in­stance we’re adding a ma­jor 3rd to our Pen­ta­tonic/blues ideas to cre­ate more of a Mixoly­dian flavour (R-2-3-4-5-6- The fin­ger­ing for the Half-Whole scale

Eis sym­met­ri­cal, so any pat­tern, lick or melody that you play can be repo­si­tioned and ef­fec­tively trans­posed to a dif­fer­ent lo­ca­tion in the scale by shift­ing up or down in three-fret leaps.

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