ExamplE9 solo Chord melody In­tro

Guitar Techniques - - LEARNING ZONE -

Our fi­nal ex­am­ple shows us that Fred­die knew how to use more ex­pan­sive voic­ings when it was ap­pro­pri­ate to do so. This short pas­sage works per­fectly as both a solo in­tro or outro, and is based pre­dom­inantly around a shift­ing Root 3 5 mi­nor triad voic­ings cen­tered around B mi­nor (B-D-F#), al­though jux­ta­posed against a static E bass to im­ply an E Dom­i­nant tonal­ity.

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