ExamplE9 solo Chord melody Intro

Our final example shows us that Freddie knew how to use more expansive voicings when it was appropriate to do so. This short passage works perfectly as both a solo intro or outro, and is based predominantly around a shifting Root 3 5 minor triad voicings centered around B minor (B-D-F#), although juxtaposed against a static E bass to imply an E Dominant tonality.