ExamplE EVA CASSIDY STYLE
Similar to bar 10, here is another chord that is coloured with an ‘extended’ note. in this case we are adding a 9th (F#) to our E minor chord, which adds both movement and harmonic interest. This sequence is influenced by Eva’s tendency to ‘thin out’ her playing
to create short melodic solos, really just fragments of notes before heading back into a verse.
Another example of how Eva would colour chords by moving bass lines rather than embellishing the top line on the first or second strings.