EX­AM­PLE 2 V-I MA­JOR, DOM­I­NANT & MI­NOR

Guitar Techniques - - PLAY -

This ex­am­ple shows us how the same al­tered voic­ing can be used suc­cess­fully in ma­jor, dom­i­nant and mi­nor con­texts. While there are some dom­i­nant scales that work best re­solv­ing to­wards ma­jor chord (such as Mixoly­dian) and some that re­solve best to Mi­nor (Phry­gian Dom­i­nant, for ex­am­ple), the Al­tered scale and its re­sul­tant chord har­mon­i­sa­tions can be used equally ef­fec­tively against each of the three main fam­ily types.

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