EXAMPLE 2 V-I MAJOR, DOMINANT & MINOR

This example shows us how the same altered voicing can be used successfully in major, dominant and minor contexts. While there are some dominant scales that work best resolving towards major chord (such as Mixolydian) and some that resolve best to Minor (Phrygian Dominant, for example), the Altered scale and its resultant chord harmonisations can be used equally effectively against each of the three main family types.