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Guitar Techniques - - PLAY LEAD -

[Bars 26-41]

The tonal­ity shifts back to B Mi­nor but this time us­ing the B do­rian mode (B-C#-d-e-F#-G#-a). While Brett will be more than aware of the scale he’s us­ing at any give time, the scale is se­condary to his mu­si­cal ear, his sense of melody and where the un­der­ly­ing chords are go­ing.

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