EXAMPLES LATERAL USE OF MIXOLYDIAN TRIADS

CD TRACK 76

examples 1-3 These employ two-string triad shapes. This first one features a four-note motif (note-order: highest note, middle note, lowest note, middle note) played to a 16th-note count and taken up along the length of the neck stemming from CaGed shape #1 and shifting up through the various inversions before ending up an in the equivalent shape #1 an octave higher, where we top things off with a bluesy phrase.