Ex­am­plE9 blues

Guitar Techniques - - LESSON -

We round things up with a com­plete cho­rus against a 12-bar jazz blues in F. Cru­cial here is ste­wart’s use of space. There are some in­stances with a bar or more rest be­tween lines, al­low­ing each idea to breathe and punc­tu­at­ing the phrases beau­ti­fully. sec­ondly, there are nu­mer­ous in­stances of rep­e­ti­tion on a sin­gle note, prov­ing that it’s not al­ways nec­es­sary or de­sir­able to fly all over the place, all the time. Make sure you make the con­nec­tions here be­tween note se­lec­tion and chord sym­bol so this might re­quire a bit of men­tal prac­tise with spell­ing out each arpeg­gio.

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