EXAMPLE3 Track 3 – PoP rock

The track opens with some slightly tricky slash chords. The popping line in bars 6 to 9 is vey effective. The octave pattern uses the semiquaver rhythmic sub-division and syncopation, delivered as snappily and as rhythmically tight as possible. The chorus section features some distorted octaves, while more slash chords lead us into the solo. Stomp on the auto-wah if you have one and let rip! The scale of choice here is E Dorian: E-F#-G-A-B-C#D.