ExamplE7 moving mixolydian (super guitar trio #1)

We’re aiming for more of an electrified piezo-based acoustic tone for our final a harmonic perspective, this example shifts between four bars of A Mixolydian two examples and this sound can often be mercilessly unforgiving in terms of (A-B-C#-d-e-F#-G) and four bars of G Mixolydian (G-A-B-C-d-e-F). it’s good to scr Gap Up I Ty AaR rt iT cu El Cat Hi oN nI Q aU nd ES tim Min Ag G, As oZ Im Na Eke2su7r0e you’ re completely hitting all the notice that once again, Coryell is not afraid to create rhythmic interest and notes on the head or your playing won’t sound polish Le A dR orRp Yr ofCe sO si oRnYaEl.FLr Lo mSTYt Le En siobny by Jo rehp ne aW tin hg ea as ticngrolefn tote, in this case for well over a bar.