EXAMPLE 2 MAJOR III-VI-II-V- ALTERNATE-PICKED SCALE-BASED LINES

Catherine has considerable alternate picking prowess, so while he adds hammer-ons and slurs as an expressive phrasing device when he wishes, he's also capable of playing long unbroken streams of notes with a very consistent attack and tone. We’re really after that consistency here, so work with your metronome and break the line down into bite-size pieces, building up bit by bit over time.