EXAMPLE2 Four-note sequencing pattern

Another easy pattern that sits nicely under the fingers when applied to the Minor Pentatonic, but when converted to the Blues scale this four-note pattern mEay get you scratching your head a little at first. it’s well worth persevering with because the chromaticism introduced by the use of the flat 5 sounds really cool when played at tempo. Take care with the out-of-position stretches at the end of bar 2 (use your first finger to stretch).