Guitar Techniques

JAM TRACKS tips

Use these tips to navigate our bonus backing tracks

- Jam tracks by Jacob Quistgaard. For free scale maps and hundreds more tracks, visit www.quistorama.com. You can also subscribe to www.youtube. com/QuistTV to get all the latest tracks and licks. Or find Quist and his jam tracks on Twitter, Instagram and F

Country Blues Waltz (A)

Here’s a fun 12-bar blues progressio­n to add a little country flavour to your blues playing. It’s in 3/4 with three beats to each bar. Arpeggios are A (A-C#-E), D (D-F#-A) and E (E-G#-B). Try mixing A Minor Pentatonic (A-C-D-E-G) with A Major Pentatonic (A-B-C#-E-F#) for some classic blues moods.

B Minor Groove

This groove track is based on the I-IV-V chord progressio­n in B Minor, Bm (Im), Em (VIm) and F#m (Vm). Start with B Minor Pentatonic (B-D-E-F#-A) as well as the B Minor scale (B-C#-D-E-F#G-A), then try adding a cheeky bit of B Dorian (B-C#-D-E-F#-G#-A) on the Bm and F#m chords!

Chicago Blues (D)

Chicago-style 12-bar blues progressio­n with the ‘end-of-thecycle-turnaround’ of D - D7/C - G/B - Gm/Bb - D/A - A7. For scales, I recommend using both the D Minor Pentatonic (D-F-G-A-C) and D Major Pentatonic (D-E-F#-A-B) for a great bluesy sound.

A Minor Bossa Jam

We finish with a nice and mellow bossa style jam, featuring a loop of two bars on the Im chord (Am), one

IIm7b5 (Bm7b5) bar on the and one

V7b9 (E7b9). bar on the chord Use A Minor scale (A-B-C-D-E-F-G) for the first three bars and then A Harmonic Minor (A-B-C-D-E

V7b9 (E7b9) F-G#) for the final chord. Happy jamming!

 ??  ?? Track 2 would sound great with some Dorian based Santana licks
Track 2 would sound great with some Dorian based Santana licks
 ??  ??

Newspapers in English

Newspapers from Australia