Guitar Techniques

Jam Tracks tips

Use these tips to navigate our bonus backing tracks

- Jam tracks by Jacob Quistgaard. For free scale maps and hundreds more tracks, visit www.quistorama.com. You can also subscribe to www.youtube. com/QuistTV to get all the latest tracks and licks. Or find Quist and his jam tracks on Twitter, Instagram and F

Dreamy psychedeli­c groove blues (Dm)

This track tips its hat to trip-hop and invites some epic Gilmouresq­ue soloing. Use D Minor Pentatonic (D-F-G-A-C) and D

(D-E-F-G-A-Bb-C) Minor scale as starting points. The arpeggios will

(G-Bb-D) help too: Dm (D-F-A), Gm and Am (A-C-E).

G Major to E Minor jam

This one swaps between the I chord (G) and the VI chord (Em). You could also see it as going between the key of G major and its relative minor, E minor. Use the seven notes of the G Major scale (G-A-B-C-D-E-F#) throughout (becoming the E Minor scale) – and of course E Minor Pentatonic (E-G-A-B-D) will work throughout the whole sequence as well.

Acoustic Chicago blues shuffle (E)

Here we have an easy-to-approach acoustic blues ditty, which features a Chicago style turnaround at the end. Mix E Minor Pentatonic (E-G-A-B-D) and E Major Pentatonic (E-F#-G#-B-C) for that great blues sound. Knowing the arpeggios will also help: E7 (E-G#-B-D), A7 (A-C#-E-G) and of course B7 (B-D#-F#-A).

E Minor smooth jazz blues

We finish with this smooth jazz-style blues. Use E Minor Pentatonic (E-G-A-B-D) and the E Minor scale (E-F#-G-A-B-C-D) as a starting point. Advanced options are: C Lydian Dominant (C-D-EF#-G-A-Bb) on the C13 chords and B

(B-C-D-Eb-F-G-A Altered scale - aka Superlocri­an mode) on the B7#9 chords. Happy jamming!

 ??  ?? Try your best Larry licks over jam track 4’s jazzy-blues feel
Try your best Larry licks over jam track 4’s jazzy-blues feel
 ??  ??

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