Guitarist

Modern rockers

Orange’s new Chinese-made combos are among its most versatile yet, especially if you’re a pedal user, with features for the home, studio and stage

- Words Nick Guppy Photograph­y Neil Godwin

Unveiled at this year’s winter NAMM show in California, Orange’s two new Rocker combos feature the EL84 power valve, which has become almost as synonymous with the iconic Orange sound as the EL34s that powered its mighty 1970s OR120 watt heads.

Designed in the UK by legendary Orange guru, Adrian Emsley, and made in China, both combos are built to typical Orange standards with chunky ply cabinets, tough basketweav­e grilles and heavy-duty steel chassis. Inside, the electronic­s are PCB-based, with one large board holding most of the components, including the front panel controls and valve sockets. The components and wiring all appear first class: Orange was one of the first companies to manufactur­e offshore and its quality control is unsurpasse­d.

Both combos also feature Orange’s new ‘Voice Of The World Gold Label’ 10-inch custom design loudspeake­r, which has a chunky magnet and looks capable of handling a lot of power. The Rocker 32 has two of them and peering round the back reveals two separate speaker leads plugged into the chassis – a clue to the Rocker 32’s secret weapon, which is stereo with not one but two output

stages. Also on the rear panel is a mono out/ stereo in valve-buffered effects loop – and it’s this that opens the door to some tantalisin­g effects possibilit­ies.

Both amps feature a half-power option incorporat­ed into the front panel standby switch; the Rocker 15 also has a rear panel ‘headroom/bedroom’ attenuator that allows power outputs of one watt or 0.5 watts.

The enamel control panels follow Orange’s classic 1970s ‘graphics only’ format, using pictograms to describe the control functions. The Dirty channel includes gain, bass, mid, treble and master volume controls, while the clean Natural channel has a single volume control. Overall, both amps look, feel and smell like classic Orange designs – built to handle any amount of abuse and come up smiling. They’re quite compact, too, although as you might expect they aren’t exactly lightweigh­ts. In addition to having an extra loudspeake­r, the Rocker 32 also has two output transforme­rs and we think it should really have a pair of grab handles on the sides.

The Rocker 15’s flexible power options make it suited to home studios… it’s easy to get a great crankedup tone at almost conversati­on level

Feel & Sounds

In use, both amps power up smoothly, with practicall­y zero mains hum, making them ideal for both recording and low-level home use. The Rocker 15’s flexible power options make it especially suited to home studios with its one-watt and 0.5-watt output levels making it easy to get a great cranked-up tone at almost conversati­on level.

The Natural channel on both the Rocker 15 and 32 may only have a single volume control, but it’s perfectly dialled in to flatter practicall­y any guitar and it sounds wonderful, with a glassy treble giving way to an addictive chime at higher volume levels. It’s a sound that is very reminiscen­t of the EL84-powered AD30R combo that Orange relaunched with in the later 1990s and has since become a soughtafte­r modern classic.

The Dirty channel’s gain control has a very wide range, allowing fine control of moderately driven sounds, with plenty of Dark Terror-approved filth at the top of its travel, making it ideal for everything from classic Brit rock and blues to modern metal. This channel’s sound is, again, typical Orange with a powerful midrange and balanced treble. It sounds great with any guitar but needs a meaty humbucker to really pull out the best tones.

Now, the Rocker 32’s stereo capability will make it almost irresistib­le to effects users. Plugging in a decent stereo chorus and setting the outputs to dry/wet sends a clean uneffected sound through one side and a fully wet modulated sound to the other. This wet/ dry combinatio­n generates the chorus effect in the air between the loudspeake­r and the ears, creating a real three-dimensiona­l soundscape

that swirls and breathes like a classic Leslie rotary loudspeake­r. Delays are big fun, too. One of the coolest things you can do with a stereo setup beyond ping-pong clichés is add a very short delay between both channels, in the 10- to 25-millisecon­d range, which sounds enormous, especially when mixed with a good dose of reverb.

Verdict

The Rocker 15 and 32 are both deceptivel­y versatile combos, among the best Orange has ever released. Whether you go for the mono or stereo version, you’ve got a compact and relatively portable amp that’s just as comfortabl­e at home as on stage, with plenty of punch for small-to-medium gigs. Aimed at all serious players, there’s plenty to satisfy here, from the delicately nuanced Natural channel, to the earthy grit and punch of the Dirty channel. They’re available in black vinyl, too, and the prices are temptingly competitiv­e. What’s not to like?

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4. Both Rocker combos feature Orange’s new 10-inch ‘Voice Of The World Gold Label’ loudspeake­r 4
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1. The Rocker’s Natural channel features a single volume control, yet its tone remains highly versatile 2. The Rocker combos add even more versatilit­y to Orange’s stable of amps 2
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