Guitarist

3 GUITARS GET SMARTER

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While the future of the electric guitar lies in the comforting blanket of its past, there are still plenty of bold innovators beavering away in their sonic laboratori­es. Line 6 surprised most by using niche technology – its Variax digital modelling engine – to embrace a new mini-trend, the baritone, all aboard a fairly modernist-shaped electric, the Shuriken. Line 6’s president, Marcus Ryle, commented it was “our first artist-designed instrument”, the artist being Stevie MacKay (Twelve Foot Ninja), while its 27-inch scale along with Variax’s alternativ­e tuning feature means convention­al guitar tuning is completely out of the window. By design.

Swiss makers Relish revived the ‘concept’ guitar [1], not actually meant for production, but just to show what they can do. Designed with Thomas Nordegg (Steve Vai’s tech), it includes a Sustainiac sustainer, GTC Revpad touchpad control, Line 6 wireless, Antares Auto-Tune ATG-1 all loaded into a hugely innovative Jane model. Less radical is the latest Fret-King/Fishman tie-up to produce three Fluence pickup-equipped guitars. Using Fret-King’s Corona, Country Squire (both £749) and Esprit (£699) platforms with Fluence Strat-style, Tele-style single-width and humbuckers respective­ly, these dual voice pickups, with their solid-core coils, absolute hum-cancelling and rechargeab­le battery power, epitomise ‘familiar’ looks but have cutting-edge technology.

After the rather out-there 2015 line, innovation­s on Gibson’s High Performanc­e range have been reined in so we’re getting a shaped access neck joint, rolled fingerboar­d edges, a titanium zero fret (convention­al width) and the latest generation G-Force tuners, boasting faster and more accurate use. Equally modernist are the electronic­s. Each of the four controls is a pull/push switch engaging tap or split for each pickup, out-of-phase, and inner or outer coils (for the split function); the options are handled by a row of five internal DIP switches along with high pass filters for each pickup and transient suppressio­n – a sort of passive limiter. Even the selector switch has new gold contacts, a knurled metal cap and is quieter, less microphoni­c, in use. This array is featured, for example, on the Les Paul Standard (£2,699), Traditiona­l (£2,299) and Classic (£1,999) HP models; the Studio (£1,599) has a simplified circuit.

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