Guitarist

GIBSON MEMPHIS 1961 ES-330 VOS WITH BIGSBY

- Words Jamie Dickson Photograph­y Neil Godwin

The hollow body ES-330 is an under-appreciate­d guitar, though shrewd players have long admired it for its warm, blooming tone. Unlike it’s better-known sibling the ES-335, the 330 lacks a centrebloc­k, which imparts a distinctiv­e and lively resonance to it that is, for many, an advantage that offsets its increased vulnerabil­ity to feedback at louder stage volumes. In practice, that lack of centrebloc­k gives a vibrancy to the voice of the guitar that you really should try if you’ve only played centrebloc­k semis in the past.

With clean vintage examples steadily increasing in value, one way to experience the unique virtues of the ES-330 is via the guitars of Gibson Memphis, the division that makes the company’s hollow and semi-hollow models, which has garnered a reputation for quality and compelling­ly authentic vintagespe­c instrument­s. This svelte blond example currently resides in the showrooms of World Guitars at Stonehouse, Gloucester­shire . The spec is modelled on that of a ‘61 ES-330 and retains the fuller ‘Micky Mouse’ horns that were slimmed down from 1962, resulting in a sleeker but arguably less classic outline.

One departure from tradition, however, is gloriously evident: the lush figuring of the 3-ply maple/ poplar/maple top was not a feature of original vintage examples, which were rather plain by comparison, but looks superb and entirely fitting – especially with the subtle VOS ageing. It remains one of our favourite takes on the relic-ing concept because of the understate­d vibe of having been nicely played-in that it imparts to Gibson’s guitars.

The neck has a slender Slim 61 profile that’s pleasant and undemandin­g to play, while the guitar weighs in at a little under 7lbs, making it no hardship to wear through the course of a long session. Evocative and just a little different, you could do a lot worse than giving a 330 of this calibre a try if you’re in the market for a classic Gibson semi.

 ??  ?? Simple plastic tuning buttons echo the no-frills feel of the original early 60s 330s authentica­lly 2
Simple plastic tuning buttons echo the no-frills feel of the original early 60s 330s authentica­lly 2
 ??  ?? The gorgeous figured top of this ‘61 replica is not in fact very faithful to vintage examples, but when it looks this good who’s counting? 3
The gorgeous figured top of this ‘61 replica is not in fact very faithful to vintage examples, but when it looks this good who’s counting? 3
 ??  ?? Full, warm with a prominent and woody midrange, the 50s-style dog-ear MHS P-90s on the ‘61 ES-330 sound so right for vintage blues and R&B 1
Full, warm with a prominent and woody midrange, the 50s-style dog-ear MHS P-90s on the ‘61 ES-330 sound so right for vintage blues and R&B 1
 ??  ?? The B-7 Bigsby fitted on this model makes those atmospheri­c shimmers easy to nail and fits the look and character of the guitar beautifull­y 4
The B-7 Bigsby fitted on this model makes those atmospheri­c shimmers easy to nail and fits the look and character of the guitar beautifull­y 4
 ??  ?? The light VOS ageing lends a gentle lustre to the hardware, which includes a ‘no wire’ ABR bridge, imparting an appealing but not OTT vintage vibe. Period correct plastics complete the look 6
The light VOS ageing lends a gentle lustre to the hardware, which includes a ‘no wire’ ABR bridge, imparting an appealing but not OTT vintage vibe. Period correct plastics complete the look 6
 ??  ?? Wiring has been upgraded to mirror that of original vintage 330s more authentica­lly 5
Wiring has been upgraded to mirror that of original vintage 330s more authentica­lly 5
 ??  ??

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