Guitarist

Example 3

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The most technicall­y demanding of the four exercises, this example makes a real feature of alternate picking. This isn’t ‘shred’ playing and has little imperfecti­ons and dynamics, but the idea is to keep the unbroken line pretty consistent until the respite at the beginning of Ex 4. Slow, methodical practice is the only way you’ll get there, so remember the old ‘more haste, less speed’ axiom...

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