Guitarist

Pigtronix Philosophe­r’s tone Germanium Gold Micro

A tiny box for big compressio­n… with a sting in its tail

- Words Trevor Curwen Photograph­y Olly Curtis Video & audio http://bit.ly/guitariste­xtra

The name may be a bit of a mouthful but we guess Pigtronix had to go with it to illustrate how the Philosophe­r’s Tone Germanium Gold Micro fits into their range. First, there was the original Philosophe­r’s Tone, a relatively large pedal that Pigtronix recently condensed into the Philosophe­r’s Tone Micro, a much more pedalboard friendly iteration, although it lost the original’s Grit knob in translatio­n. Now the Grit knob is back in this new micro version which, in a way, is truer to the spirit of the original Philosophe­r’s Tone in that it’s a pedal that provides compressio­n and distortion – plus, that Grit knob is coupled to some Germanium diode circuitry for the latter.

Leaving the Grit knob unused for the minute, and setting the Sustain knob for the minimum amount of compressio­n, there’s plenty of extra whoomph in this pedal from above 2 o’clock on the volume knob to give the front end of your amp a good kick – clean boost with a hint of compressio­n. Other juxtaposit­ions of the two knobs offer up a range of compressio­ns from keeping your rhythms under tighter control to increasing sustain with distinctiv­e bloom as the note takes off. Higher compressio­n levels add a bit of ‘snap’ to your notes but it’s not too squashy and, if you employ the Blend knob, that lets you set a mix of dry and compressed sound, you can put some naturalnes­s back or add some compressio­n for enhancemen­t.

If that was all it did this pedal wouldn’t be too shabby but the aptly named Grit knob adds a gritty drive to the compressed portion of the sound from a raw edge to full amp-like raunch. It adds so much extra flexibilit­y, ticking plenty of boxes. Dirty boost? Yes. Compressio­n with a jagged edge? Yep. Overdrive with a touch of compressio­n? Definitely. Heavy overdriven compressio­n? Of course. And we get all that with the option of mixing it with the dry sound.

VERDICT

A combinatio­n of three sonic elements that can be mixed together makes this a versatile workhorse for any pedalboard. PROS: Extra-small footprint, compressio­n and distortion in one pedal, Blend knob CONS: It’s easy to spend your playing time trying the different knob settings instead…

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