Guitarist

KEMPER PROFILER STAGE

£1,449

- CONTACT Kemper PHONE +49 2361 486 4679 WEB www.kemper-amps.com

The arrival of Kemper’s Profiler digital head in 2011 was a game-changer for many guitarists, allowing them to digitally recreate the sounds of their own amps, as well as download amp profiles from other users via Kemper’s online portal. The Profiler Remote foot controller was added to the range a few years later as the Profiler’s popularity grew. Kemper has now taken the next logical step, integratin­g its Profiler Head and Remote foot controller into a compact, stage-ready preamp appropriat­ely called the Profiler Stage.

The Profiler Stage is housed in a tough steel case that’s heavy enough to stay put but still very portable. Newcomers to Kemper’s styling and operating system may find the controls somewhat daunting, with dozens of switches, knobs and multicolou­red LEDs threatenin­g to push even mild technophob­es into sensory overload. However, everything has a purpose and the layout is quite logical when you get used to it. The all-important display screen is relatively small compared with other similar products and the informatio­n isn’t so easy to read from a distance, although the contrast is good. The display backlighti­ng changes colour in some modes as a visual assist and all the footswitch labels are backlit, which is handy in low-light situations as well as looking very cool.

Kemper’s main claim to fame is profiling: creating a faithful replica of any amp’s tone from a sample

The Profiler Stage organises amps, effects and speaker cabinet simulation­s into Rigs, which are stored in 125 banks of five, with a Browse mode and a separate Performanc­e mode, which is useful for storing and shuffling setlists. Two footswitch buttons step up and down through the banks, while five more directly access each Rig. Four more footswitch buttons can be assigned to toggle effects or groups of effects in each Rig, with two more buttons to the right of the display controllin­g the Profiler Stage’s looper and tuner functions and another for tap tempo. Most of these buttons have at least one secondary function: for example, the Rig select buttons also operate the looper. In loop mode, the button number backlights dim and the looper control symbols become brighter – just one example of the thought that’s gone into making a relatively complex interface as easy as possible to navigate.

The unit’s signal chain is represente­d by a series of 12 illuminate­d push-buttons to the right of the display, featuring an input section followed by four effects choices in front of the virtual amp and four more effects after the virtual speaker cabinets, ending with an output section. Button switches over the display handle various parameter select and editing functions, while under the display you’ll see that there are some more familiar-looking knobs for gain and master volume, with smaller assignable ones in between handling bass, mid, treble and presence as well as other parameters. Other controls include useful browse and type select knobs for quickly locating and auditionin­g rigs and effects.

The Profiler Stage’s rear panel has a single guitar input jack, two mono send/ stereo return effects loops, main outputs on XLR and jack, and a secondary pair of monitor outputs. Other connection­s include S/PDIF digital in and out, no less than four expression pedal jacks, MIDI in and out, USB and headphones. Overall, the Profiler Stage is ready for life on the road, with robust constructi­on, classy looks and impeccable styling.

Sounds

The Profiler Stage’s software takes around 20 seconds to load, after which the lights and display screen come to life. Straight out of the box, this isn’t really a ‘plug in and go’ preamp. A read of the quick-start manual is recommende­d, as the main manual covers every feature and runs to 300 pages! Even then, a supplement­ary manual covers MIDI programmin­g; the Profiler easily exceeds the 128-parameter limit of normal MIDI, with more than 400 addressabl­e functions available through NRPN (Non-Registered Parameter Numbers).

Kemper’s latest OS7 software has really come of age, offering an impressive array of onboard effects including wahs, distortion­s, delays, choruses and modulation­s, with all kinds of tempting extras lurking in the menus. It’s complement­ed by Kemper’s Rig Manager app that syncs online Rig Exchange and local patches, as well as managing firmware updates, which are reassuring­ly easy to apply. Currently Rig Manager is only available for Windows and Mac desktops, with connection to the Profiler solely via USB. There’s no mobile or wireless option.

Kemper’s main claim to fame is, of course, profiling: the ability to create a faithful replica of any guitar amp’s tone from a recorded sample. On the Stage, the Profiling Assistant opens when you press down the Browser and Perform buttons simultaneo­usly, after which you’re taken through the process. As you might expect, the quality of the resulting profile is very dependent on how well your sample is recorded. Browsing through the 16,000 or so online rigs available through Rig Manager and the 280-odd that come preloaded, it’s quite easy to pick out those that have been recorded profession­ally from those that haven’t. With the best profiles, it’s possible to strip away the effects and hear an impressive recreation of an original amp, while others are quite heavily dependent on

Your imaginatio­n is the only limit to what you can create, and the vast editing scope makes the Kemper a tweaker’s paradise

PRICE: £1,449 ORIGIN: Germany TYPE: Digital modelling guitar preamp with built-in digital effects DIMENSIONS: 80 (h) x 470 (w) x 260mm (d) WEIGHT (kg/lb): 4.5/10 CABINET: Pressed steel CHANNELS: Infinite clean/drive voice capability using Profiler software, 125 banks of 5 patches CONTROLS: Gain, master volume, soft rotary x4, soft button x4, browse and type select, stack select x12, browser/perform/profiler mode, page forward/back/return, morph, lock, edit, power on/off CONNECTION­S: Guitar in, mono send/stereo return effects loops x2, S/PDIF in/out, expression pedal x4, main outputs on XLR and jack, monitor outputs on jack, headphones 3.5mm jack, MIDI in/out, USB A/B FOOTSWITCH: Integrated Kemper Remote controller ADDITIONAL FEATURES: Integral digital effects, full Kemper Profiling capability, S/PDIF in/out, MIDI in/out, headphones, USB POWER: 100-230V mains IEC OPTIONS: The Mission Engineerin­g EP1-KP expression pedal is £137 RANGE OPTIONS: Original Profiler head and rack preamp is £1,461, with powered versions (including a 600W class D power amp) costing £1,810. The Remote foot controller is £387

Kemper +49 2361 486 46 79 www.kemper-amps.com

PROS Replicates any amp; solid and robust build; improved onboard effects; cheaper than buying separate Profiler Head and Remote

CONS Small mono display; no mobile app; ground lift switching only in software; no dedicated carry bag available at the moment

 ??  ?? 1. The mono LCD display is somewhat small and difficult to read from a distance, but it has all the info you need to know what the Profiler Stage is doing 1
1. The mono LCD display is somewhat small and difficult to read from a distance, but it has all the info you need to know what the Profiler Stage is doing 1
 ??  ?? 2
2. Kemper’s new unit has two fully programmab­le mono-out/stereo-in effects loops
2 2. Kemper’s new unit has two fully programmab­le mono-out/stereo-in effects loops
 ??  ?? 4. You get dedicated knobs for gain and master volume, while the smaller knobs in between can function as bass, mid, treble and presence but have other functions as well 4
4. You get dedicated knobs for gain and master volume, while the smaller knobs in between can function as bass, mid, treble and presence but have other functions as well 4
 ??  ?? 3. There is a fully featured built-in looper as well as an automatic tuner with a highly accurate strobe-display option 3
3. There is a fully featured built-in looper as well as an automatic tuner with a highly accurate strobe-display option 3
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