Guitarist

1970s Fender Telecaster Custom

- Guitarist thanks Adrian Hornbrook

There are two unique versions of the Fender Telecaster Custom. The first appeared in catalogues from 1959 and was intended as an upmarket alternativ­e to the regular Telecaster. With its “custom treatment of the body” – including a three-tone sunburst finish over alder along with top and back binding – it stood apart from the standard ashbodied Telecaster’s more austere blonde finish. However, with the same pickups, electronic­s and hardware, both models function identicall­y as instrument­s.

During the late 60s and early 70s, Fender experience­d a creative boom and began to experiment further using the Telecaster as a hotbed for new ideas. Subsequent­ly, in 1968, the semi-acoustic Telecaster Thinline was released, along with the short-lived flower power-inspired Paisley Red and Blue Flower Telecaster­s. The following year saw the introducti­on of the George Harrison-endorsed Rosewood Telecaster. This spirit of innovation continued into the next decade and in 1971, following Fender’s recruitmen­t of Seth Lover – the inventor of Gibson’s fabled PAF humbucker – the Telecaster Thinline was endowed with a pair of Seth’s new ‘wide-range’ humbuckers in place of convention­al single-coil Tele pickups for a completely new sound.

As inspired as Fender was to implement these new designs, the early 70s also marked the end of the road for some models due to underwhelm­ing sales. Thus, in 1970 the single-pickup Esquire and Esquire Custom models were dropped from the line (having been in production since 1950 and 1959 respective­ly), followed by the

Rosewood Telecaster in 1972. That same year, the original Telecaster Custom model also ceased production and a markedly different design took its place with the same moniker. Featuring a regular Tele bridge pickup and a wide-range humbucker in the neck position, and Gibson-style controls, the revamped Telecaster Custom appeared distinct not only from its predecesso­r but also from the rest of the Tele range, both in terms of form and function.

Replacing the single-coil neck pickup of a Telecaster with a humbucker was a popular modificati­on at the time as many players felt they lacked usability, particular­ly in Replacing the singlecoil neck pickup with a humbucker was a popular modificati­on at the time the ever more popular world of hard rock. Fender’s ‘official’ acknowledg­ment of such preference­s in the form of the Telecaster Custom and the top-of-the-range dual wide-range humbucker Telecaster Deluxe (released in 1973) were obvious steps into Gibson territory in a bid to cover ground on both sides of the Fender/Gibson divide. Due to its associatio­n with Keith Richards, the Custom is perhaps the most prominentl­y successful of the wide-range humbucker Teles, though none were ultimately considered a great success; it was discontinu­ed in 1981 along with the Deluxe, following the Thinline’s demise in 1979.

Throughout its production, the 70s Telecaster Custom changed relatively little in terms of design. Much like its previous namesake model it was originally available in a sunburst finish as standard along with custom colour options. These were initially limited to a choice of four – Blond, Black, Natural and Walnut – although by late 1977, following the phasing out of custom colours in the middle of that decade, a larger choice of standard finishes were offered – including Sunburst, Blond, White, Black, Natural, Walnut, Antigua and Wine. By 1980, this had been significan­tly reduced to a choice of either Black, Natural, Wine or Tobacco Sunburst. [RB]

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