Guitarist

Green Carrot Comfortabl­y Plum

Two circuits combine to give you Gilmour-inspired drive tone in a box

- Words Trevor Curwen Photograph­y Phil Barker VIDEO DEMO http://bit.ly/guitariste­xtra

The recent reissue of the ElectroHar­monix ‘Ram’s Head’ Big Muff made that particular early-70s iteration of the pedal available from the original manufactur­er for the first time in more than 40 years. And it was no doubt welcomed by David Gilmour fans looking to get close to the classic tones he got when using one. Anyone of that inclinatio­n, though, can now get even closer courtesy of Yorkshire’s own Green Carrot Pedals and its beautifull­y named Comfortabl­y Plum. It features two classic, independen­tly switched circuits in one pedal. So we have a Ram’s Head Muff-style channel followed by one based on a Colorsound Power Boost, a pedal designed in the late 60s by Gary Hurst of ToneBender fame and used by David from 1972 onwards, both separately and in combinatio­n placed after the Big Muff.

The Muff circuit here sounds typically Ram’s Head-like with the smooth sustain and string clarity that it’s noted for, but for extra tonal versatilit­y there’s a toggle switch supplement­ing the three knobs to add a midrange boost (4dB or 10dB) to the classic Muff scooped sound.

The original Colorsound Power Boost (rejigged as the Overdriver in the US), one of the earliest overdrive pedals, was essentiall­y a preamp with treble and bass tone shaping and a high output used to drive the high-headroom amps of the period. Here, the circuitry has been supplement­ed by a Volume knob to tailor the output and you can dial in anything from a clean boost through natural drive that gets all fuzz-like at the extreme of its Drive knob. It is eminently responsive to picking dynamics and guitar volume, and features a Treble knob that delivers a delicious singing top-end if you want it.

Both channels have many uses individual­ly, but the intrigue lies in combining the two. A noted Gilmour method is to subtly use the Power Boost to enhance the Big Muff ‘s tone for a touch more sustain and increased presence – as good a starting point as any for exploratio­n.

PROS Two classic vintage circuit sin one box; extra Big Muff mid range options; solid buildquali­ty CONS Nothing really, although away of changing the effect order would have increased flexibilit­y

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