Guitarist

Home, Sweet Home…

- David Mead Acting Editor

My own reminiscen­ces about Paul Reed Smith’s guitars begin around 1992. Up until that point, all I had seen from the company was its 24-fret neck models and, call me strange, but I have never got on with 24-fretters. But then, one day the brand-new Custom 22 came into the Guitarist office and my heart skipped a beat. Okay, that might be a little bit of an exaggerati­on, but I was assigned to review the guitar, which meant I had an extra dose of ‘hands on’ with the instrument. We’ve all had that experience where you’re desperatel­y trying to justify yet another guitar joining the family to both yourself and your partner, and, in the end, I had to bid the 22 a fond farewell and it disappeare­d from my life. Since that time, I’ve accumulate­d a number of twin-humbucker guitars, but I remain PRS-free. Admirable restraint on my part, methinks. But I wholeheart­edly applaud Paul and his team for continuall­y surprising us with innovation and superlativ­e design. We’ve even got a soft spot for the Silver Sky… So please join us in celebratin­g PRS’s 35th anniversar­y in this very special issue.

Elsewhere, you’ll find an extraordin­ary video lesson from Cory Wong. I was introduced to his playing via a Fearless Flyers video during one of those YouTube safaris that we all find ourselves on from time to time. I sat there smiling for the video’s duration. This was not only funk, it was precision funk. But it was still chock-full of passion alongside the admirable chops from all concerned. When I saw that Cory was performing nearby, we managed to join the dots and invite him to our studio for our resulting masterclas­s.

Meanwhile, this is another ‘lockdown’ edition of the mag, put together via phone, email, text message, video conference and sundry other methods of communicat­ion available in these strange times. I hope you enjoy it – stay safe!

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